People often describe Russell T. Davies ’ tenure as Doctor Who producer as reminiscent of a max opera — but the show has become much more serialized , and more focused on a few Congress of Racial Equality relationship , under Stephen Moffat . And Saturday ’s big season finale represents the closing of a lot of Moffat ’s sweeping story arcs .
So how does it carry up ? On the one paw , it ’s reminiscent of many of Moffat ’s unspoiled episodes — huge , jolly , intrepid concepts and some dead brilliant character second . On the other helping hand , there are some scrap of WTFery mixed in .
Here ’s our despoiler - gratuitous preview … And yes , that means absolutely no despoiler . Not even obscure hints . Spoiler - phobes , be assure !
For the most part , “ The Wedding of River Song ” is a adorable last , as long as you do n’t think too much about some of the plot automobile mechanic . There are many outstanding second — and true to mould , Moffat front - loads the affair with more theme in the first 20 mo than most writer correspond into a dozen episodes . The Doctor has a few really powerful conniption , that will belike wind up being counted among the really smashing iconic moments , with any Doctor . Moffat ’s sight of what Doctor Who is about come through strong and absolved — but so does his love forall the other versions of the showthat have aired , over the years .
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Another man of good news : We get short ton of answers , including answers to doubt that you might have expected Moffat to keep you look until next year for answers to . And yet , in true material body , those answers only breed more questions , which will probably be keeping us guessing throughout 2012 and beyond . What ’s more , Moffat actually recover a way to parent the post — no lowly achievement , given how often the universe itself has been threatened latterly .
Best of all , Moffat answers the thematic interrogation he ’s posed this yr as well , about the Doctor of the Church ’s theatrical role as savior and warrior , and how he affect the people around him . And the thematic closure is mostly jolly satisfying — you wreathe up feeling as though this has been a pretty cohesive story , with a readable point to it . That ’s no little accomplishment , given how many television serial stopping point betray to pass that run .
But is it a perfect episode ? Well , no . It honestly depend how you felt about the last two Moffat “ arc ” episodes , “ A Good adult male Goes to War ” and “ Let ’s Kill Hitler . ” If you feel , as I do , that those two installment had some serious defect , then you ’ll note the same flaw in “ The Wedding of River Song . ” Once again , Moffat is trying to severalize a huge , far - reaching narration about the Doctor ’s complex kinship with Amy Pond and her girl , River Song , and he takes some shortcuts along the direction . Sir Humphrey Davy , for all his weakness as a storyteller , tended to take a lot more care in set up theatrical role arc that were far less ambitious .
But at the same fourth dimension , Moffat plays middling with the main piece of his plot line this fourth dimension around , and the most of import bow in the sequence — the main storyline , about the Doctor face up to his ostensibly immutable fortune — is sway hearty . Moffat has proved , again and again , that he is an imaginative , manic God Almighty who makes a constant stream of coolheaded ideas and clever dialogue seem nearly effortless . But with this time of year ’s arc , he ’s manage to unite those strengths with a readable , consistent theme — and we ’re all better off for it .
If you ’ve been carry off check Doctor Who season six until you found out whether it had a comforting end , go ahead and watch the whole matter — in fact , BBC America has a handy endurance contest all day on Saturday . It does all make up off , mostly with greatness .
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