Every Frame a Painting is a fantastical look at movie and how it ’s constructed . Now , Tony Zhou has put together a new video essay , this time search at how Buster Keaton ’s works have endured for over a century .
Keaton has influence unnumbered film director long after his life history through his framing , humor and approach to directing . Here ’s a couple of takeaways :
severalise your story through action mechanism . He stave off deed of conveyance cards and depict the audience what was happening through action as much as possible . The result was a bequest of visual laugh and humor .
Use the frame . If the audience ca n’t see things , the characters ca n’t either . Keaton used his entire frame , utilize all of his space useable to the audience .
Improvise . one-half of filmmaking is script , but directors should be prepared to just capture what happens .
Never fake a muzzle . Zhou has ranted about this before in his earlier video : the tendency for film maker to use overemotional filming that simply does n’t make sensation . This is something that more directors can learn from : do as much as you may live : interview can assure when something is fake , and when something is real .
I ’m not a film producer , but I apprize these videos : they ’ve really taught me much about watching movies , and revalue what I ’m bet at , from a proficient point of view .
[ Every Frame A Painting ]
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